A promising series ends not with a bang, but a whimper.
A trilogy about a haunted house in Maine meanders to a close.
In the first two books of the Lost Brides trilogy, Roberts introduced readers to Sonya MacTavish, a Boston graphic designer with a cheating fiancé. Then, an uncle Sonya didn’t know existed, a man named Collin Poole, died and left her a gorgeous mansion on the coast of Maine. Sonya and her best friend, Cleo Fabares, moved into the house, only to discover it was haunted by the spirit of a 19th-century witch named Hester Dobbs. Starting in 1806, Dobbs murdered generation after generation of women who married into the Poole family, using the wedding rings of the murdered women as talismans that help her consolidate her power over the mansion. The ghosts of the seven murdered brides and other people killed by Dobbs also inhabit the house, and they want to help Sonya and Cleo, along with Sonya’s lover, Trey Doyle, and her cousin Owen Poole, in their quest to exorcise Dobbs from the property and keep her from killing again. Unfortunately, as this plot was well-established in the first two books of the series, there’s little left for Sonya and her cadre of pals to do. Sonya and Cleo spend much of their time cleaning out the attic and basement rooms, finding clues and information about the dead women. This feels like filler, with repetitive and boring scenes that offer only dribs and drabs of information about the family and the house's history, but do little to illuminate anything new or interesting about Sonya or Hester Dobbs as her nemesis. The plotting is glacially slow until the final battle, which the author rushes to the point of being underwritten.
A promising series ends not with a bang, but a whimper.Pub Date: Nov. 18, 2025
ISBN: 9781250288790
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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