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JUNG AND STAR WARS

A CONTEMPORARY MYTHOLOGY

A fascinating psychological dissection of the iconic SF series by a smart, passionate fan.

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Ellerhoff takes a Jungian look at the world of Star Wars.

In this work of nonfiction, the author points out the fact that we can never know what the famed psychologist Carl Jung would have made of the Star Wars movies because he died 16 years before the first installment came to theaters. But Ellerhoff has grown up with the films, and he argues that Jung’s vision of archetypal truths (sometimes delivered through the means of fantasy) maps well onto a cinematic SF world in which “the cruelest person in the galaxy zaps lightning from his fingertips while the wisest is a puppet.” He commences his analysis by noting the Jungian influences in Joseph Campbell’s The Hero with a Thousand Faces (1949) and the impact that book had on George Lucas as he was drafting and redrafting the original script of the movie. The author then proceeds to analyze the movies in granular detail, recounting the plots, relating critical commentary from a variety of quoted sources, and identifying correspondences with Jung’s concepts of individuation, archetypes (finding the “senex,” or wise old man, for instance, in figures like Yoda), and, of course, the collective unconscious. Ellerhoff writes with extravagant geeky enthusiasm—Star Wars fans will be enchanted to see their favorite movies so intelligently discussed. Whether his insights are simplistic (characterizing the evil Emperor Palpatine as “the most selfish person in the galaxy”) or galvanizing (observing that Han Solo’s last-minute save at the climax of the first movie “confirms a profound change in Solo’s character”), Ellerhoff is always engaging when writing about this world. Some of his Jungian parallels seem a bit basic (“Darth Vader is a fine character to contemplate in terms of Jung’s concept of the shadow”), but the Star Wars analysis never is.

A fascinating psychological dissection of the iconic SF series by a smart, passionate fan.

Pub Date: Aug. 12, 2025

ISBN: 9781041033523

Page Count: 260

Publisher: Routledge

Review Posted Online: Nov. 14, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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  • New York Times Bestseller

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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  • New York Times Bestseller

Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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